How do you differentiate between A-B-and-C stories? How do you use them in conjunction with each other to elevate the plot? How does it relate to theme? Devin and Adam discuss subplot.
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How do you differentiate between A-B-and-C stories? How do you use them in conjunction with each other to elevate the plot? How does it relate to theme? Devin and Adam discuss subplot.
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How do you use the forces of levity and gravity to create a more dynamic story? How does that balance of humor and drama give more perspective for your audience? How can it embolden your theme? Devin and Adam explore levity and gravity.
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Devin and Adam continue their examination of symbolism in filmed media through set dressing, wardrobe, and props.
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Why are reversals important for an audience experience? What is the difference between a quick twist and a slow burn? How are they related to setups and payoffs? Adam and Devin talk Reversals.
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What is the difference between mystery, suspense, and dramatic irony? How do they relate to an audience’s perspective and experience? Devin and Adam investigate these three versatile tools.
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Tune in for a good trick for your toolbox and examples of some not so conventional resolutions. Continuing from last week’s episode, Adam and Devin conclude their discussion on resolution.
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Devin and Adam conclude their two-part discussion about dialogue and subtext with some great examples and helpful tricks to write subtext easily.
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What is the difference between what a person is saying and what they are not saying, or saying beneath the surface? Devin and Adam discuss the value of great dialogue and subtext in this two-part episode.
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How are change, growth, and evolution vital to the characters of a story and their audience? Adam and Devin examine transformation and catharsis.
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Adam and Devin discuss the six basic types of narrative conflict and examine examples of each in today’s storytelling.
Person vs. person, person vs. society, person vs. nature, person vs. technology, person vs. supernatural, and most importantly, person vs. self.
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