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30: Nonlinear Storytelling – Part 2

How do you alter the chronology of a story and still maintain its spine? What do you have to consider to effectively execute this unique type of storytelling? How do you do it without losing your audience? Adam and Devin finish their conversation about nonlinear storytelling.

29: Nonlinear Storytelling – Part 1

What are the different ways you can alter the timeline of your story? How can you use this tool to explore the psychological landscape and perspectives of your characters? Devin and Adam explore nonlinear storytelling in this two-part episode.

28: Flashbacks and Flash-Forwards

How do you effectively jump time in your story? What are the different ways you can use these tools to elevate your audience’s experience? Relatability, exposition, clues, set-ups and payoffs? Devin and Adam examine flashbacks and flash-forwards.

27: Subplot – Part 2

How do you find strong subplots within the world of your story? How do manage subplots in stories with an ensemble cast like Stranger Things? Adam and Devin conclude their exploration of subplot.

26: Subplot – Part 1

How do you differentiate between A-B-and-C stories? How do you use them in conjunction with each other to elevate the plot? How does it relate to theme? Devin and Adam discuss subplot.

25: The Forces of Levity and Gravity

How do you use the forces of levity and gravity to create a more dynamic story? How does that balance of humor and drama give more perspective for your audience? How can it embolden your theme? Devin and Adam explore levity and gravity.

23: Symbolism-Part 1-Objects and Allegory

What are the different forms symbolism can take? How do you tangibly represent the abstract like emotions, states of mind, and mystical ideas? Adam and Devin explore symbolism in this two-part episode.

22: Reversals

Why are reversals important for an audience experience? What is the difference between a quick twist and a slow burn? How are they related to setups and payoffs? Adam and Devin talk Reversals.

21: Mystery, Suspense, and Dramatic Irony

What is the difference between mystery, suspense, and dramatic irony? How do they relate to an audience’s perspective and experience? Devin and Adam investigate these three versatile tools.

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